One is an idealist with a big heart, the other is honest, resolute and full of integrity. These fresh forty-somethings acquired their passion for theatre through avant-garde playwrights like Peter Brook and Marie-Bernard Koltès. is season they are both very present in the KVS programme.
This Thursday, 7 September, we are throwing open the doors of the BOL for a party and a good deal of conviviality!
On 11 July, while Flanders parties, Brussels Dances!
The TOERNEE GENERAL label has become a classic: a common selection by the KVS and the Théâtre National, a fine, varied range of what both theatres have on offer in the upcoming season.
Theatre-makers Junior Mthombeni and Sylvie Landuyt talk about their stage plans
It is already ten years since one of the leading, if not the single most important, post-war Belgian authors, died. On 19 March 2008, Hugo Claus, who had long suffered from Alzheimer's disease, opted for euthanasia. Precisely ten years after his death, we pay tribute with two productions.
In a genuine essay style, the KVS city dramaturges Kristin Rogghe, Tunde Adefioye and Gerardo Salinas guide you through what we are offering in the new theatre season.
When you called me chéri for the first time, a shiver went down my spine. It was not a pet name, thrown at me from a distance, but a word, meant for my ears only, that cut through Brussels’ cold winter air. You repeated it a couple of days in a row.
Next season, we shall be restaging two KVS classics that zoom in on episodes from Belgian colonial history: Missie and Het leven en de werken
In the 80s, Kimberlé Crenshaw, Professor of Law and Critical Race Theory at Columbia University as well as UCLA, conceived the term intersectionality in order to better encompass the discriminatory situation women of colour were facing.
We are living in very special times, in my view the most exciting period in the history of mankind. in the face of migration surges, urban sprawl and new technologies, the world has become a multifaceted village.