KVS

Vlaemsch

Sidi Larbi Cherkaoui, Hans Op De Beeck / Eastman, De Munt & KVS
Wed 15.06.2022 - Wed 22.06.2022
15.06.2022
-
22.06.2022

What does it mean for an artist to be Flemish when art doesn’t stop at borders? An aesthetic and philosophic manifesto by three contemporary ‘Flemish Masters’.

What does it mean for an artist to be Flemish when art doesn’t stop at borders?

Claiming your roots can be a dangerous thing and can lead to fear or rejection of ‘those who are not from here’. But if we look at our family trees, we will notice that we are connected to a multitude of origins from far and away. This melting pot of influences forms our DNA and inspires the work of Belgian-Moroccan choreographer Sidi Larbi Cherkaoui musically, visually and theatrically: “Isolation is uninteresting. Being Flemish is a fluid identity, like any identity.”

What does it mean for an artist to be Flemish when art doesn’t stop at borders? When the influences largely come from ‘elsewhere’, when the artistic work is nourished by encounters from travels all over the world? Both humans and art are migrants by nature.

Flanders went through a period of cultural and economic prosperity in the 15th century, when artists where the main standard bearers for the region. The influence of Flemish polyphonic composers on music history is comparable to that of the Flemish primitives on art history. The fiamminghi, as artists from the Low Countries were then called, were reputed as innovative, free spirits, who did not allow borders to encapsulate them. They did not shy away from experiment, worked internationally, and were open to foreign influences. Both in music and painting, the major names enjoyed a superstar status, with secular and religious patrons fighting over their talents. Sidi Larbi Cherkaoui, Hans Op de Beeck and Floris De Rycker live and work in Flanders today and as contemporary Flemish artists, they have always been in dialogue with this rich past.

Between that period of prosperity and today, the development and economy of this ‘flat country’ have known their ups and downs, with borders repeatedly closing and reopening. It’s as if Flanders choreographs this exchange between falling back on itself and absorbing foreign identities to the rhythm of the tides. 

La Monnaie and KVS join forces to present Vlaemsch on stage: a prestigious collaboration within the Troika project.

On being Vlaemsch

Sidi Larbi Cherkaoui and Hans Op de Beeck take a deep dive into Flemish identity and investigate how it relates to past and future. What does ‘being Flemish’ even mean? Who can give an answer to that?…

Credits

REGIE & CHOREOGRAFIE / MISE EN SCÈNE & CHORÉGRAPHIE / DIRECTION & CHOREOGRAPHY Sidi Larbi Cherkaoui DECORONTWERP / CONCEPTION DÉCOR / SET DESIGN Hans Op de Beeck

Cookies

We use cookies and similar techniques to analyze the use of the website, to make it possible to display third-party content such as videos, and for various other applications. These cookies are also placed by third parties. By clicking “Accept”, you agree. If you do not agree, you can specify your preferences via the "Adjust settings" button. More information…

Cookies are required for the website to function properly. This way the content of your shopping cart will be remembered during the order and you can log in on the website with your account.

Cookies are also needed to enrich your experience on the website. For example, media from third parties such as videos. We also keep statistics to continuously improve the site.

Finally, cookies are used to process further information about our marketing activities, such as newsletters and advertisements, in the most efficient and personal way.

Cookie settings