Who seeks, who finds

Cherish Menzo explores monstrosity through ritual, distortion and apocalyptic dance.
Het TheaterFestival 2026

FRANK

Cherish Menzo / GRIP & Theater Utrecht i.s.m. Dance On Ensemble

  • dans
  • Language: FR EN
  • Surtitles: NL • EN

Trigger warning: Content relating to death.

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  • Please note: a strobe is used in this performance.
  • Please note: in this performance the volume level is very loud.

“We are in an alien world. Only awkward movement is possible.” 
- Bayo Akomolafe

Choreographer Cherish Menzo examines the figure of the monster in FRANK—short for Frankenstein. More than (re)producing a physical or visual portrayal of the monster, she is researching the monstrous as an embodiment of beliefs and narratives that terrify and horrify, and yet also attract us. Distortion is a choreographic leitmotif used to generate movement material and as a tool to devour the dance and loosen its structure. Cherish Menzo investigates the action of decay and how something gradually breaking down and becoming less or worse can affect one’s gestures. The performance space fabulates on the Baka Gorong, a place located at the back of the former plantations and in front of the wetlands, where enslaved people in Suriname secretly went to carry out Winti rituals – demonized under Dutch colonial rule – and to consider fleeing. She is joined by Omagbitse Omagbemi, Mulunesh and Malick Cissé—performing artists from different generations—to construct a performance between the ritual, the apocalypse, and the carnival, where narrated identities are challenged, where flesh can deviate and be corrupted until it bursts and becomes unbearable. The dancers express their standing in the world with incoherent, broken-down movement in a scenery that collapses around them. In an increasingly unstable world of hiccups and unlikely events, often gruesome and violent, we are reminded of early horror movies and this eerie feeling, the flicker in the dark.

Jury Report

The jury commends the uncompromising nature of FRANK. It is not a grey but a resolutely black performance: demanding for those who ordinarily feel undisturbed and safe outside the theatre, and necessary in a world where Black bodies are not free.

Discover more about FRANK

Want to dive deeper into the world of FRANK? On its webpage, you'll find an in-depth essay by Madeleine Planeix-Crocker, the full script and song lyrics from the performance, along with additional background information.

Enter at your own risk.

Already ended
  1. - KVS BOX
  2. - KVS BOX

Credits

CONCEPT AND DIRECTION Cherish Menzo CREATION AND PERFORMANCE Malick Cissé, Mulunesh, Omagbitse Omagbemi, Cherish Menzo PERFORMANCE BY FOUR OF THE FOLLOWING ARTISTS Mulunesh, Malick Cissé, Omagbitse Omagbemi, Naomi Katthagen, Tim Persent, Camilo Mejía Cortés, Cherish Menzo SOUND DESIGN Maria Muehombo a.k.a M I M I VIDEO DESIGN Andrea Casetti SOUND AND VIDEO ENGINEERING Arthur De Vuyst SET DESIGN Morgana Machado Marques LIGHTING DESIGN Ryoya Fudetani DRAMATURGY Johanne Affricot, Renée Copraij COSTUMES Cherish Menzo TEXT Khadija El Kharraz Alami, Cherish Menzo ARTISTIC ADVICE Khadija El Kharraz Alami, Nicole Geertruida INTERNSHIP Sarah Garnaud, Alice Bröker SURTITLES Jennifer Piasecki TECHNICIAN ON TOUR Pieter-Jan Buelens, Arthur De Vuyst, Ryoya Fudetani, Hadrien Jeangette GRAPHIC DESIGN Nick Mattan THANKS TO Mildred Caprino, Anne Goedhart, Rodney Frederik & Winti Formation “Krin Ati,” Daryll Geldrop, Ernie Wolf, Sandra Menzo, Shavelie Menzo, Madeleine Planeix-Crocker, Sarah Garnaud, Alice Bröker, Johanna Cool, Anne de Andrade, Victor Dumont, Keiko Yamaguchi, Haruna Tanaka, Sensei Taneda, Ima Tenko, Indrė Jurgelevičiūtė (kanklės), Blair Taylor (violin), Paul Thurlby TEXT CREDITS, INSPIRATION, REFERENCES, BIBLIOGRAPHY https://www.grip.house/en/projects/frank PRODUCTION GRIP & Theater Utrecht (Dagmar Bokma, Anne Breure, Maartje de Groot, Kelly de Haan, Teun de Loos, Philip den Uyl, Hanne Doms, Seline Gosling, Anneleen Hermans, Tom Hemmer, Leonie Jekel, Aline Jobse, Naomi Lantveld, Myrthe Ligtenberg, Thomas Lloyd, Rudi Meulemans, Lize Meynaerts, Klaartje Oerlemans, Jennifer Piasecki, Florien Smits, Sylvie Svanberg, Bregt van Deursen, Ad van Mierlo, Yoni Vermeire, Nele Verreyken, Vincent Wijlhuizen, Kato Wilms) IN COLLABORATION WITH Dance On Ensemble / Bureau Ritter DANCE ON is a project by Bureau Ritter gUG, funded by the German Federal Government Commissioner for Culture and the Media. INTERNATIONAL DISTRIBUTION A propic – Line Rousseau, Marion Gauvent CO-PRODUCTION Kunstenfestivaldesarts, Carreau du Temple - Etablissement culturel et sportif de la Ville de Paris, Productiehuis Theater Rotterdam, Julidans Amsterdam, PACT Zollverein funded by the Ministry for Culture and Science of the State of North Rhine-Westphalia, Festival Montpellier Danse 2025, le Centre Chorégraphique National d’Orléans – Direction Maud Le Pladec, Tanzquartier Wien, Teatro Municipal do Porto, festival d’Automne à Paris, One Dance Festival, Perpodium WITH THE SUPPORT OF Centre national de la danse à Pantin, BRONKS, KWP Kunstenwerkplaats, l’Atelier de Paris - Centre de développement chorégraphique national WITH THE FINANCIAL SUPPORT OF the Flemish Government, Tax Shelter of the Belgian Federal Government via Cronos Invest, BNG Bank Theaterprijs, Charlotte Köhler Prijs van het Cultuurfonds, Culture Moves Europe, a project funded by the European Union and the Goethe-Institut THIS WORK WAS PRODUCED WITH THE FINANCIAL ASSISTANCE OF THE EUROPEAN UNION The views expressed herein can in no way be taken to reflect the official opinion of the European Union.