28.01.202020:30 - 21:40KVS, BrusselsKVS BOX
29.01.202020:30 - 21:40KVS, BrusselsKVS BOX
On May 6 1994 the gendarmes break into Geert Jan Jansen’s French country estate, where they find more than 1600 works by the likes of Picasso, Dali, Appel, Matisse and Hockney. Striking detail: most of them have actually been painted by the Dutchman. For more than twenty years, Geert has managed to fool the art world, so convincingly so that Picasso and Appel themselves unwittingly provided certificates of authenticity for his creations.
To this day, museums worldwide have been exhibiting four works by Geert Jan which nobody would single out as forgeries. A spelling mistake eventually lays bare Geert Jan’s illicit activity, and a German superintendent catches him. He becomes an overnight sensation and one of the most famous art world swindlers.
After BERLIN’s Perhaps All The Dragons (in which Geert Jan makes his first appearance as one of the thirty story tellers) True Copy puts him centre stage. Over the years, and in the shadow of the masters, he has been perfecting his skill. Geert Jan’s work and life is a constant balancing act on the tightrope between fiction and reality.
In this new component of the Horror Vacui series, BERLIN puts Geert Jan himself on stage. The internal cogwheels that keep this complex man ticking act as a manual for laying bare – amongst other things – the hypocrisy inside the art world. What does truthfulness really mean? And isn’t it much more refreshing to go along with a brilliantly packaged lie?