Who seeks, who finds

Carolina Bianchi concludes her trilogy at KVS with a radical performance on writing and desire.

The Cadela Força Trilogy Chapter III: A Cordial Light

CAROLINA BIANCHI Y CARA DE CAVALO, METRO GESTÃO CULTURAL & KVS

  • Language: BRA
  • Surtitles: NL • EN
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PLEASE NOTE: The dates for this performance have changed slightly. Contrary to what is stated in the KVS season magazine, the performances will take place from May 8 to 11, 2027.

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KVS Creation, presented as part of the Kunstenfestivaldesarts 2027

 

In recent years, Carolina Bianchi has repeatedly shaken the theatre world to its very foundations. With the first two parts of her Cadela Força Trilogy, she drew attention to the brutality of sexual violence and its consequences (The Bride and the Goodnight Cinderella) and to the complexity of looking closely the masters of male brotherhood intertwined with theatre history (The Brotherhood).

The Brazilian theatre-maker has received numerous awards and widespread acclaim for these first two chapters. She has now reached the final part Cadela Força Trilogy – Chapter III: A Cordial Light. The piece is a disproportional combination of drafts, notebooks, notes, and words from other writers, such as Brazilian author Hilda Hilst and the poet Emily Dickinson, and reveals the violent process of writing as an encounter with the enigma of one's own sexuality.  Carolina Bianchi appears as a subject in dissolution, presenting herself through different writer alter egos that enable herself to fulfil her fantasies, especially the fantasy of writing.  

Performances

    • 18:00
    • KVS BOL
    • 15:00
    • KVS BOL
    • 20:00
    • KVS BOL
    • 19:00
    • KVS BOL
Already ended
  1. - Festival d'Avignon
  2. - Festival d'Avignon
  3. - Festival d'Avignon
  4. - Festival d'Avignon
  5. - Festival d'Avignon

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Credits

Concept, text, direction & set design Carolina Bianchi Text excerpt an excerpt from the book O Caderno Rosa de Lori Lamby by Hilda Hilst With Rodrigo Andreolli, Larissa Ballarotti, Carolina Bianchi, Lucas Delfino, Joana Ferraz, Flow Kountouriotis, Fernanda Libman, Amanda Lyra, Danielli Mendes, Carolina Mendonça Subtitle translation Marina Matheus (English), Thomas Resendes (French) Text revision Larissa Ballarotti Dramaturgy & research partner Carolina Mendonça Technical direction, sound design & music Miguel Caldas Assistant artistic director Murillo Basso Scenography & graphic design Luisa Callegari Lighting design Jo Rios Video & projections Montserrat Fonseca Llach Costume design Luisa Callegari, Carolina Bianchi Inflatable design Carlos Delfino Internship Thomas Médioni Stage management & production assistance AnaCris Medina Production direction, tour management & communication Carla Estefan International relations, production & distribution Metro Gestão Cultural (Brazil) Production Metro Gestão Cultural (Brazil), Carolina Bianchi Y Cara de Cavalo Coproduction KVS Koninklijke Vlaamse Schouwburg (Brussels), Theater Utrecht, Festival d’Avignon, Odéon–Théâtre de l'Europe (Paris), Festival d’Automne à Paris, Comédie de Genève, Biennale di Danza di Venezia, Wiener Festwochen (Vienna), Holland Festival (Amsterdam), Les Célestins – Théâtre de Lyon, Divine Comedy International Theatre Festival (Kraków), Kunstenfestivaldesarts (Brussels), HAU Hebbel am Ufer (Berlin), GREC Barcelona, Teatro Nacional de Catalunya (Barcelona) and Maillon, Théâtre de Strasbourg – Scène européenne Residencies La Fabrica du Festival d’Avignon, KVS Brussels and Utrecht Theatre-NL With the support of the Belgian Federal Government Tax Shelter, The Ammodo Foundation-NL