KVS
© Martin Argyroglo

My Revolution Is Better Than Yours

Sanja Mitrović
Fri 14.12.2018 and Sat 15.12.2018
14.12.2018
and
15.12.2018
  • 14.12.2018
    20:00 - 21:50
    KVS, Brussels
    KVS BOL
  • 15.12.2018
    20:00 - 21:50
    KVS, Brussels
    KVS BOL

Are revolutionary ideals con ned to the dustbin of history? Sanja Mitrović considers the breadth of lived experience and historical amnesia, inspired by the protests of ’68 and their legacy today.

Half a century has passed since in May 1968 the riots and strikes in France created one of the iconic cultural landmarks of the twentieth century. But student protests in Paris were only one face of a global network of self-organised grassroots movements and rebellions — the Black Panthers and demonstrations against the Vietnam War in the USA, the convulsions in Western Europe and in the Eastern Bloc, including student rebellions in Belgrade, the Prague Spring, and the political crisis in Poland, even the protests at the Red Square in Moscow. After the initial explosion of enthusiasm, most of these movements splintered into a range of positions on the political spectrum: from the neoliberal mainstream to left-wing radicalism, from middle-class centrism to extreme conservatism.

My Revolution Is Better Than Yours is inspired by the protests of ’68 as one of the first genuinely global phenomena, its potential legacies, as well as perceptions of this turbulent period from half a century’s distance. Based on the wealth of archive materials and testimonies of the events’ participants from different countries, Sanja Mitrović’s new production considers the breadth of lived experience and historical amnesia, the effects of words and the meaning of actions, and the possibility of remembrance and commemoration. Unfolding through a constellation of characters, ideas, images, and statements which relay the fragmented character of the era, My Revolution Is Better Than Yours lets the complexity of ’68 reverberate with the current situation. Are the revolutionary ideals confined to the dustbin of history and marketing slogans of global corporations, or do they still to talk to our experience today?

Credits

Sanja Mitrović

Credits

CONCEPT, TEXT, DIRECTOR & CHOREOGRAPHY SANJA MITROVIĆ PERFORMERS VLADIMIR ALEKSIĆ, JONATHAN DRILLET, MOHAMMED NOUR WANA, MARIA STAMENKOVIĆ HERRANZ, OLGA TSVETKOVA DRAMATURGY & RESEARCH JORGE PALINHOS, KAREL VANHAESEBROUCK ASSISTANT DIRECTOR & ENGLISH TRANSLATION SINIŠA MITROVIĆ CHOREOGRAPHICAL ADVICE GUILLAUME MARIE SCENOGRAPHY ELODIE DAUGET COSTUME DESIGN ALEXANDRA SEBBAG LIGHTING DESIGN GIACOMO GORINI SOUND DESIGN VLADIMIR PEJKOVIĆ AUDIOVISUAL TECHNICIAN SAUL MOMBAERTS ASSISTANT DIRECTOR (INTERN) AUDREY GARY DRAMATURGY ADVISOR MARIE VANDENBUSSCHE-CONT SUBTITLES IVANA KLIČKOVIĆ PRODUCTION SANJA MITROVIĆ / STAND UP TALL PRODUCTIONS IN COOPERATION WITH CENTRE DRAMATIQUE NATIONAL NANTERRE-AMANDIERS (FR) EXECUTIVE PRODUCTION CARAVAN PRODUCTION (BE) COPRODUCTION CENTRE DRAMATIQUE NATIONAL ORLÉANS (FR), CENTRE DRAMATIQUE NATIONAL LA COMÉDIE DE REIMS (FR), LA ROSE DES VENTS, SCÈNE NATIONALE LILLE MÉTROPOLE (FR) / NEXT FESTIVAL FUNDED BY VLAAMSE GEMEENSCHAP (BE), VLAAMSE GEMEENSCHAPSCOMMISSIE (BE) SUPPORTED BY KVS, PIANOFABRIEK THANKS TO RITCS SCHOOL OF ARTS / ROYAL INSTITUTE FOR THEATRE, CINEMA AND SOUND (BE) AND ALL THE STUDENTS WHO PARTICIPATED IN THE WORKSHOPS ON THE THEME OF 1968, SREĆKO HORVAT, BORKA PAVIĆEVIĆ & CENTRE FOR CULTURAL DECONTAMINATION, BELGRADE (RS), UNIVERSITÉ DE PARIS VIII (FR), UNIVERSITÉ PARIS NANTERRE (FR) SPECIAL THANKS TO CAMILLE LOUIS